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REVIEWS
Didymos is Tommi Aatos
Haavisto from Finland, and Grief Distance is his
second full release, but the first that I have had the pleasure of
hearing. “Vault” opens with mourning experimental synths that sound
eerily similar to the beginning of Klaus Schulze’s “Sebastian im
Traum,” but it quickly becomes more accessible with a dark melodramatic
tune. Melody is a strong point throughout the disc, as is the ability
to easily create and sustain a mood. “Fundamentals of Grief” is
surprisingly bright though it still retains the touch of drama that
permeates the album. I’m reminded of Tangerine Dream’s stronger
soundtrack work from the eighties, without specific musical reference
to any particular one – it’s more of a general flavor. Cool rhythms
punctuate the air in “The Calling,” with really nicely layered synths,
some carrying the melody and some delivering the atmospheric touches
for added richness and depth. “Arduous Distance” brings much of the
same, the hummable melodies and toe-tapping beats moving at a bit more
leisurely pace. “Blueberry Dance” is a bit too cute and sweet for my
taste, but it is followed by the very catchy “Agonylog,” with wonderful
sequencing and warm pads. I’m reminded a lot of Venja’s Arcadia disc,
which isn’t surprising since it too has a lot of eighties synth
influences. “Mount of Olives” is appropriately serious in tone,
followed by “Anguish,” once again bringing strong rhythms to bear.
Bright piano is played with surprising intensity. “Mourning’s over” is
similar but sadder than “Mount of Olives.” The disc concludes with
eternal hope in “Beneath the Promise Vault.” If you like melodious
thematic synth music, it doesn’t get much better than Grief Distance.
© 2006 Phil
Derby / Electroambient
Space --------------
Didymos
is Tommi Haavisto from Vantaa in Finland. Grief Distance is his second
full release, on his own label. The
music is all composed on synthesizers, in this case, almost
exclusively software synthesizers. The music he creates is dark,
droning but also beautiful. Some of this
could easily be used in horror or psychological thriller
movies. Tommi is quite a master of creating mood. Don't get me wrong,
not all the music is dark and
mysterious. The sound is very lush and rushes right over you
(especially in headphones). I am quite impressed and if you are a fan
of synthesizer based music like
Tangerine Dream you will quite enjoy this stuff. I think
it is quite amazing.
From Aural Innovations #35 (January 2007). Reviewed by Scott Heller. --------------
Didymos is the Finnish musician Tommi Aatos
Haavisto. Grief Distance is its second opus. An agreeably melodious
album on obscure themes, like a sound screen of a horror movie which we
listen to with imagination. - Sylvain Lupari / Guts Of
Darkness; French Home of Dark & Experimental Music -------------- Didymos
/ Grief Distance
CD / 10 tracks / 50.22 mins ‘Vault’ is all
very brooding and I am sure he even uses a sample of ‘Sebastian im
Traum’. It is certainly rather like atmospheric Klaus Schulze. These
comparisons are soon banished however as an
ominous sequence mixes with bass stabs. This is lovely dark stuff that would have sounded well at home on Tangerine Dream’s
‘Sorcerer’ album. ‘Fundamentals of Grief’
crashes into being then a wonderful bass sequence surges into life over an equally stunning staccato lead line. There
is a brief respite from the tension in the
second minute but each element from before triumphantly returns, if anything with even more venom than before. Quite superb.
‘The Calling’ keeps up with the bass sequencing
but this is even more rapid with a real bounce
to its step. The melody compliments the pulsations perfectly. Again excellent. I just wish it could have gone on for
longer but then as ‘Arduous Distance’ follows on
in similar manner I don’t suppose it really
matters. Melodically things get even better. Again Schulze came to mind but from his more structured ‘Drive Inn’ type material.
‘Blueberry Dance’ is a certainly a curio! Highly melodic and joyous, to me sounding like some carefree medieval frolic. From this description you might think that it is one you would press the skip button to but believe me it really works. I loved it! Sequences shift left and right between the speakers at the beginning of ‘Agonylog’. More intense heavy sequences are added, contrasted by mournful pads. It’s another that reminded me of ‘Sorcerer’. Brooding rhythms heighten the tension further. A more uplifting simple melody provides an interesting contrast then the sequences surge forward again with even greater vigour. ‘Mount of Olives’ is a short atmospheric piece but boy is it dark and foreboding. Really ominous drones mix with sparingly used piano detail. Ideal music for horror films. The same could be said for the beginning of ‘Anguish’. Vast reverberating sonic waves mix with the sound of an organ. Things then become rhythmic, a contrasting lead line mixing curiously with the other elements of the track. ‘Mourning’s Over’ uses a moody piano melody accompanied by string pads to create a devastatingly melancholy track. Not what I would have expected given the title. There still seems deep sadness there to me. ‘Beneath the Promise Vault’ finishes the album off in dreamy reflective fashion. I assume that Didymos will be a new name to most of you, it certainly was to me but he is a very talented composer and you should give this CD a try. - David Law / Synth Music Direct
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