REVIEWS


Didymos is Tommi Aatos Haavisto from Finland, and Grief Distance is his second full release, but the first that I have had the pleasure of hearing. “Vault” opens with mourning experimental synths that sound eerily similar to the beginning of Klaus Schulze’s “Sebastian im Traum,” but it quickly becomes more accessible with a dark melodramatic tune. Melody is a strong point throughout the disc, as is the ability to easily create and sustain a mood. “Fundamentals of Grief” is surprisingly bright though it still retains the touch of drama that permeates the album. I’m reminded of Tangerine Dream’s stronger soundtrack work from the eighties, without specific musical reference to any particular one – it’s more of a general flavor. Cool rhythms punctuate the air in “The Calling,” with really nicely layered synths, some carrying the melody and some delivering the atmospheric touches for added richness and depth. “Arduous Distance” brings much of the same, the hummable melodies and toe-tapping beats moving at a bit more leisurely pace. “Blueberry Dance” is a bit too cute and sweet for my taste, but it is followed by the very catchy “Agonylog,” with wonderful sequencing and warm pads. I’m reminded a lot of Venja’s Arcadia disc, which isn’t surprising since it too has a lot of eighties synth influences. “Mount of Olives” is appropriately serious in tone, followed by “Anguish,” once again bringing strong rhythms to bear. Bright piano is played with surprising intensity. “Mourning’s over” is similar but sadder than “Mount of Olives.” The disc concludes with eternal hope in “Beneath the Promise Vault.” If you like melodious thematic synth music, it doesn’t get much better than Grief Distance.

© 2006 Phil Derby / Electroambient Space

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Didymos is Tommi Haavisto from Vantaa in Finland. Grief Distance is his second full release, on his own label. The music is all composed on synthesizers, in this case, almost exclusively software synthesizers. The music he creates is dark, droning but also beautiful. Some of this could easily be used in horror or psychological thriller movies. Tommi is quite a master of creating mood. Don't get me wrong, not all the music is dark and mysterious. The sound is very lush and rushes right over you (especially in headphones). I am quite impressed and if you are a fan of synthesizer based music like Tangerine Dream you will quite enjoy this stuff. I think it is quite amazing.

From Aural Innovations #35 (January 2007). Reviewed by Scott Heller.

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Didymos is the Finnish musician Tommi Aatos Haavisto. Grief Distance is its second opus. An agreeably melodious album on obscure themes, like a sound screen of a horror movie which we listen to with imagination.
Vault begins Grief Distance on an atmospheric mood. A light circular piano emerges from a dark atmosphere and floats on a lugubrious cello. The movement is slow and grafts a hypnotic charm on a kind of counting rhyme, without words, which is whistled on a small blackness night where the sleep is absent. Hardly escape from a movement with ghostly flavours that Fundamentals of Grief brings us back there. Crystalline notes hop on a move which reverberates of its gravity. Intriguing, the impulse follows its road on a twisting sequence, flooded of heavy pulsations. The notes are agitated and whirled, breathless, on rolling and snapping percussions. A title with deep darkness. Like Mark Shreeve at his best. Felted and jerked percussions open The Calling. A beautiful small innocent title with superb tuneful layers, which hang to the first listening, on undulating bass which flies with heaviness. We find this bass sequential line on Arduous Distance. A superb title with astonishing heaviness which progresses on keys who wind like harp shoots and on vampiric layers. The percussions are sublimes. At the same time felted, piercing and vaporous, they nourish rhythm with originality, and fit to perfection the panoply of heteroclite sound effects. Elements which abound throughout Grief Distance.
After having slipped a small one with Blueberry Dance, Didymos correct his aim with the smoking dark Agonylog. Submarine sonar filters a coded communication by percussions with steam like stereophonic waves. A pulsation hops with resonance, feeding a heavy sequence. The movement crescende on enveloping layers, while preserving its spectral slowness. After atmospheric Mount of Olives , Anguish takes again the heavy rhythms with overwhelming percussions and a superb guitar which runs easily.
Mourning' s Over floats lazily on superb string chords layers. A title of a melancholic beauty who maintains the heavy momentum themes. Only Beneath the Promise Vault has a lighter approach, honeyed. A lacking tone title with delicate synth, in spite of the heavy subliminal slowness.

Grief Distance of Didymos is pleasant surprised. A melodious opus where Didymos shows capacity to create and maintain thematic atmospheres that have impact, causticity. There are several titles which hold my attention. Too many to enumerate them one by one, showing big bites out of Grief Distance. But if you like dark and dramatic atmospheres on superb melodies invigorated by brilliant percussions, if you miss Mark Shreeve’s heavy and delirious works, Grief Distance is the ideal album. Didymos! Another pearl to be discovered in this heteroclite universe which is the imaginary world of the ÉM.

- Sylvain Lupari / Guts Of Darkness; French Home of Dark & Experimental Music

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Didymos / Grief Distance
CD / 10 tracks / 50.22 mins
‘Vault’ is all very brooding and I am sure he even uses a sample of ‘Sebastian im Traum’. It is certainly rather like atmospheric Klaus Schulze. These comparisons are soon banished however as an ominous sequence mixes with bass stabs. This is lovely dark stuff that would have sounded well at home on Tangerine Dream’s ‘Sorcerer’ album. ‘Fundamentals of Grief’ crashes into being then a wonderful bass sequence surges into life over an equally stunning staccato lead line. There is a brief respite from the tension in the second minute but each element from before triumphantly returns, if anything with even more venom than before. Quite superb. ‘The Calling’ keeps up with the bass sequencing but this is even more rapid with a real bounce to its step. The melody compliments the pulsations perfectly. Again excellent. I just wish it could have gone on for longer but then as ‘Arduous Distance’ follows on in similar manner I don’t suppose it really matters. Melodically things get even better. Again Schulze came to mind but from his more structured ‘Drive Inn’ type material.
‘Blueberry Dance’ is a certainly a curio! Highly melodic and joyous, to me sounding like some carefree medieval frolic. From this description you might think that it is one you would press the skip button to but believe me it really works. I loved it! Sequences shift left and right between the speakers at the beginning of ‘Agonylog’. More intense heavy sequences are added, contrasted by mournful pads. It’s another that reminded me of ‘Sorcerer’. Brooding rhythms heighten the tension further. A more uplifting simple melody provides an interesting contrast then the sequences surge forward again with even greater vigour. ‘Mount of Olives’ is a short atmospheric piece but boy is it dark and foreboding. Really ominous
drones mix with sparingly used piano detail. Ideal music for horror films. The same could be said for the beginning of ‘Anguish’. Vast reverberating sonic waves mix with the sound of an organ. Things then become rhythmic, a contrasting lead line mixing curiously with the other elements of the track. ‘Mourning’s Over’ uses a moody piano melody accompanied by string pads to create a devastatingly melancholy track. Not what I would have expected given the title. There still seems deep sadness there to me. ‘Beneath the Promise Vault’ finishes the album off in dreamy reflective fashion. I assume that Didymos will be a new name to most of you, it certainly was to me but he is a very talented composer and you should give this CD a try.

- David Law / Synth Music Direct